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ABOUT KUNG FU WUSHU and
Shaolin Kung Fu Products ¡@ His successor - Men's Kung
Fu Clothing (also known as Chang Kaishi) also didn't avoid martial arts, he
visited Guokao ("State test" - something like all-China wushu championship),
which were organized in Nanjing (in that time - capital of China) Central guoshu
institute ("guoshu" means "national art", during Gomindang ruling it was an
official name for wushu), founded in 1928. General Zhang Zhijiang was a rector
of this Institute, he was supported by general Feng Yuxiang. Another big
organization, developed and spread wushu, was Jingwu Assotiation ("Association
of true martial arts") founded in 1909 in Shanghai. Two organizations had
branches in all provinces of China (Jingwu Association - also in other countries
among local Chinese communities: in Vietnam, Malaysia, Singapore, Philippines
etc), great masters worked as teachers. During World War II many wushu masters
fought in army or partisan detachments, made theirs contribution in defeating of
Japan. Famous wushu master Kung Fu Wushu on shaolin kung fu products base of huaquan (blossomed fist), zhaquan (fist of Zha), paoquan (cannon fist) hongquan (fist of stream), piguaquan (fist of chopping and hanging), shaolinquan (fist of Shaolin temple) and some others created a new sport competitional style changquan (long fist). On shaolin kung fu products base of five style of Guangdong province (styles of Hong, Cai, Li, Liu and Mo families) it was created new sport computational style nanquan (southern fist). Names of movements were changed, as a result movements lost mental contents: realy, "crushing mountain strike" is different from "fist bang on a palm". During "Great Cultural Revolution" (1966-1976) wushu lovers were repressed for "indulging of feudal survivals". But in this time popularity of wushu un foreign countries began increase due to kung fu movies. For in admission of decreasing of international prestige wushu was let alone. ¡@
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Later in Hung Ee Kan's career, after he had left the Red Barge, he came one day upon an old man teaching Kung Fu to his daughter. He did not recognise the style which they practiced, but was fascinated by its soft, subtle movements. Not wishing to disturb the training session, he hid in a tree to watch but the old man saw him and beckoned him to come down to join in. A sparring session followed between Hung Ee Kan and the girl. Hung was amazed to find that his ferocious punches and blocks with which he had defeated all challenges, were unable to overcome this fragile looking girl. You see, her style was very soft and relied on evading and deflecting his punches, rather than stopping them, making all their strength useless. She would reply by waiting until she had created a gap in his defence, then exploiting it with a fast, accurate strike to a sensitive point. The girl was named Tee Eng Choon and the style which she practiced was, of course, the White Crane style. Hung Ee Kan was fascinated by this style, against which hard force was of no meaning. He stayed with the Tee family to learn more of it and soon found himself falling in love with Tee Eng Choon. They married and together produced a style which combined the best of what each had to offer: the power of the tiger and the soft, subtle technique of the crane. This is how the Tiger-Crane Combination was formed. It was kept by the Tee family and passed down, generation by generation. The district of Fukien Province where the Tee family lived was called 'Eng Choon'. Intro: This is an almost impossible category. This label is attached to almost any martial art that comes from China. It is the generic name for literally hundreds of individual Chinese fighting arts. In reality we should have an entry for each individual Kung Fu style we are interested in, but this would fill entire volumes. However, we will do our best. History: This is extremely controversial. Most of what appears here is a summary of what has been learned from Sifu Benny Meng. There are vague references of a King in China some thousands of years ago who trained his men in techniques of hand-to-hand combat to use in fighting against invading barbarians. The first real references of an organized system of martial arts came from a man named General Chin Na. He taught a form of combat to his soldiers which most people believe developed into what is modern day Chin-Na. | ||
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As all martial arts, Wushu in its early stages of development was practiced
primarily for self-defense and for aquiring basic needs. As time progressed,
innumerable people tempered and processed Wushu in different ways. By China's
Ming and Qing dynasties (1368-1911), Wushu had formed its basic patterns. ¡@ The latter half of the 20th century has seen a great upswing in the interest of Kung Fu world wide. The introduction of Kung Fu to the Western world has seen to it that its development and popularity will continue to grow. | Military Wushu developed more systematically during the Tang and Song dynaties (618 to 1279) and exhibitions of Wushu arts were held in the armies as morale boosters and military exercises. In the Ming and Qing dynasties, the general development of Wushu was at its height. Military Wushu became more practical and meticulous and was systematically classified and summarized . General Qi Jiguang of the Ming Dynasty delved into Wushu study and wrote "A New Essay on Wushu Arts", which became an important book in China's military literature. |
Intense military conflicts served as catalysts for the development of Wushu.
During China's Xia, Shang, and Zhou periods (2000BC to 771BC), Wushu matured and
formed complete systems of offense and defense, with the emergence of bronze
weapons in quantity. During the period of Warring States (770BC to 221BC), the
heads of states and government advocated Wushu in their armies and kept Wushu
masters for their own puposes. ¡@ | |
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¡@ Splashing Hands training first emphasizes basic footwork; the shuffles left
and right, reverse shuffle, shuffles with kicks, 45 degree shuffle, close the
gap, close the gap kick, etc. Then the hand techniques are learned and
coordinated with the shuffles. The feet move rapidly as if they were on fire.
The hands jab, punch, and uppercut while the feet are in motion. In order to
develop the incredible speed for which this system is noted, one must be
completely relaxed, applying power in the last instant at the point of contact
with the opponent. Like a bullwhip, one is loose and flexible, power engages
right at the end. The student is always reminded that relaxation yields speed,
and speed yields power. Throughout each phase of training, whether in the
foundation techniques, the series of Browns, Advanced Browns, or the forms of
the 5 animals, Small Cross and Four Corners, the student learns to develop the
sensitivity of touch required to fight as close as possible to the opponent. Two
main drills are used regularly to refine the techniques and to sharpen the
timing, and more importantly, to instill the principles underlying the system.
As in the internal arts of
Qigong Wushu, Tai
Chi and Hsiao Chiu-Tien, the student, while practicing alone, trains as if he
were facing a highly skilled opponent. When engaged in a real fight however, he
approaches the opponent as if the opponent did not exist. His mind becomes empty
and his body reacts in the way it was trained to move. ¡@ | |||